How Brazil and Murgel Design Studio Made Dengo Chocolate a Brand Storytelling Masterpiece
Exploring How Sculptural Design Inspired by the Atlantic Forest Creates Distinctive Brand Identity and Celebrates Brazilian Heritage
TL;DR
Brazil and Murgel Design Studio made Dengo's chocolate bars into sculptural Atlantic Forest landscapes. The surface features leaves, seeds, and light-catching textures that tell the brand story through form. Won a Golden A' Design Award for showing how product design beats marketing claims.
Key Takeaways
- Product surfaces communicate origin stories through sculptural elements that reference specific ecosystems and landscapes
- Cultural anchoring through artistic references like Brazilian modernism adds authentic depth to brand design
- Multi-sensory experience architecture engages consumers through sight, touch, sound, and taste in deliberate sequence
What if a chocolate bar could transport you to a rainforest without leaving your kitchen? Picture unwrapping a piece of chocolate, expecting the familiar grid of squares, and instead discovering a landscape of leaves, seeds, and shadows cast by towering trees. Such transformation is exactly what happens when brands commit to design as storytelling, and few examples demonstrate design-as-storytelling commitment more vividly than the sculptural chocolate created by Brazil and Murgel Design Studio for Dengo Chocolates.
The question facing every food and beverage brand today is deceptively simple: how do you communicate values, origin, and quality in a single product encounter? Packaging can only do so much. Marketing campaigns fade from memory. But the product itself, the physical object that consumers hold, taste, and experience, carries tremendous potential for brand narrative. When that physical product becomes a three-dimensional story, something remarkable happens. The brand message moves from external communication to embodied experience.
Brazil and Murgel Design Studio understood the opportunity presented by product-as-narrative when the studio approached the Dengo 80g chocolate bar project. The studio's solution transcended conventional confectionery design by transforming the chocolate surface into a sculptural representation of the Atlantic Forest ecosystem where Dengo sources cacao. The resulting design earned recognition as a Golden A' Design Award winner in Food, Beverage and Culinary Arts Design, recognized for the design's innovative approach to brand identity through product form.
The following article explores the strategic thinking, artistic influences, and technical execution that created the distinctive Dengo brand asset. Whether your enterprise operates in food and beverage, consumer goods, or any sector where physical products carry brand meaning, the principles demonstrated in the Dengo project offer valuable insights for design-driven brand building.
The Atlantic Forest as Living Design Language
Every memorable brand design begins with an authentic source of inspiration, and for Dengo Chocolates, that source is a specific ecosystem called the cabruca. Located in the heart of the Atlantic Forest in Bahia, Brazil, the cabruca represents a traditional agroforestry system where cacao trees grow beneath the canopy of tall native species. The cabruca environment creates a distinctive microclimate where filtered light, organic matter cycles, and biodiversity converge to produce exceptional cacao.
Brazil and Murgel Design Studio recognized that the Dengo origin story contained visual elements waiting to be translated into form. The creative team conducted interviews with cocoa farmers, gathered imagery from site visits, and immersed themselves in the sensory experience of the Atlantic Forest. Team members observed how dry leaves accumulate on the forest floor in patterns both random and rhythmic. The designers noted how sunlight penetrates the tall tree canopy, creating dramatic plays of light and shadow. The creative team documented the variety of seeds that populate the Atlantic Forest ecosystem.
The forest observations became the foundation for a design vocabulary that would appear directly on the chocolate surface. The sculptural elements visible on a Dengo chocolate bar are specific representations of Atlantic Forest features: the texture of fallen foliage, the organic shapes of seeds, the interplay of depths that mimics forest floor complexity. The place-based approach transforms the chocolate from a generic confection into a landscape in miniature.
The strategic value of place-based design language extends beyond aesthetics. When a product visually embodies geographic origin, every consumer interaction reinforces the brand story without requiring additional explanation. A customer encountering a Dengo chocolate bar for the first time immediately perceives that the object carries meaning beyond the object's function as food. The sculptural surface prompts curiosity, invites closer examination, and creates conditions for brand narrative to unfold naturally.
For brands seeking to communicate origin, sustainability, or terroir, the Dengo approach offers a template. Rather than relying solely on packaging claims or certification labels, product form itself can become evidence of authentic connection to place.
Brazilian Modernist Masters as Aesthetic Guides
Design decisions benefit enormously from cultural anchoring, and Brazil and Murgel Design Studio made a strategic choice to reference Brazilian Modern Art as an aesthetic guide for the Dengo chocolate project. Specifically, the work of Tarsila do Amaral and Lasar Segall influenced the visual approach, connecting the chocolate design to a broader tradition of Brazilian artistic expression.
Tarsila do Amaral pioneered a distinctly Brazilian approach to modernism in the 1920s, characterized by bold colors, organic forms, and subject matter drawn from Brazilian landscapes and people. Her paintings celebrated tropical vegetation, rural life, and the unique visual culture of Brazil. Lasar Segall, though born in Lithuania, became deeply integrated into Brazilian artistic life and developed an expressive style that combined emotional intensity with formal innovation.
The creative directors Fabio Brazil and Henrique Murgel drew from artistic precedents established by Amaral and Segall to develop what the directors describe as an expressive style consistent with previous work created for the Dengo brand. The connection to Brazilian modernism serves multiple purposes. The artistic connection grounds the chocolate design in a recognized artistic tradition, lending cultural weight to what might otherwise be seen as merely decorative surface treatment. The modernist references signal sophistication and intentionality to consumers who recognize the artistic connections. And the cultural anchoring reinforces the brand's identity as authentically Brazilian.
The cultural anchoring principle demonstrates an important consideration for brand design: visual choices carry associations that extend far beyond the immediate product category. A chocolate bar that references Brazilian modernist painting participates in a conversation about national identity, artistic heritage, and cultural pride. The associations enrich the consumer experience and differentiate the brand in ways that competitors cannot easily replicate.
For enterprises developing products with strong regional or national identity, the lesson here involves careful curation of cultural references. The specific artists chosen by Brazil and Murgel Design Studio share certain characteristics: the artists are recognized masters within their field, the artists worked in a style that translates well to three-dimensional form, and the artists' subject matter aligns naturally with themes of Brazilian landscape and nature. The alignment ensures that cultural references feel organic rather than imposed.
Light as a Tangible Design Material
One of the most sophisticated aspects of the Dengo chocolate design involves the deliberate treatment of light as a sculptural element. The design team approached light as something tangible, recognizing that the glossy surface of well-tempered chocolate reflects illumination in ways that can be choreographed through surface geometry.
The light-as-material insight emerges from a fundamental truth about premium chocolate: glossy finish serves as a visual indicator of quality. When chocolate is properly tempered, cocoa butter crystallizes in a specific structure that produces a smooth, shiny surface. Consumers have learned to associate glossiness with quality, freshness, and proper production. The Dengo design leverages the glossiness association by creating surface topography that maximizes interplay between glossy highlights and shadowed recesses.
The technical approach combines three-dimensional sculptural elements with two-dimensional line work, creating a complex surface that responds dynamically to ambient lighting conditions. When a consumer moves a Dengo chocolate bar under light, the reflection patterns shift and dance across the surface. Seeds catch highlights. Leaf shapes create shadow pools. The overall effect transforms static chocolate into a dynamic visual experience.
The treatment of light connects directly to the Atlantic Forest inspiration. The cabruca environment is characterized precisely by dramatic light conditions, where tall trees filter sunlight into shifting patterns on the forest floor. By designing the chocolate surface to replicate the forest light behavior, Brazil and Murgel Design Studio created a sensory parallel between the origin environment and the finished product.
For brands in any category where surface finish communicates quality, the Dengo approach suggests possibilities for elevating standard quality indicators into design features. Rather than simply achieving a glossy finish, the Dengo chocolate design transforms the finish into an active participant in brand storytelling. The light play is part of the experience, part of the narrative, part of what makes the product memorable.
From Wax Models to Precision Molds
The technical journey from concept to production reveals the level of commitment required to execute sculptural food design at commercial scale. Brazil and Murgel Design Studio developed the Dengo chocolate bar through a process that bridges traditional craft techniques with contemporary digital manufacturing.
Initial creative development began with rough sketches and hand-carved wax modeling. The traditional wax-carving approach allows designers to work directly with three-dimensional form, making intuitive adjustments that are difficult to achieve through purely digital methods. The tactile nature of wax carving enables the kind of organic, expressive surfaces that characterize the final chocolate design. Seeds and leaves take shape under skilled hands before ever appearing on a computer screen.
Once the fundamental forms were established through hand carving, the design team developed digital models using three-dimensional scanning and computer-aided design software. The digital translation enabled precise measurement, optimization for manufacturing, and creation of production tooling. The specifications for the final chocolate bar (measuring 80 millimeters in width, 180 millimeters in depth, and approximately 8 millimeters in height) required exact digital representation.
Production molds were created through CNC machining of aluminum templates. Computer numerical control machining achieves tolerances that preserve fine details of the original sculptural design. The aluminum templates then served as masters for manufacturing polycarbonate chocolate molds. Polycarbonate material offers several advantages for chocolate production: durability for repeated use, excellent surface finish transfer, and the ability to capture high-polished detail that makes the final chocolate glossy.
The manufacturing chain (from hand carving to digital modeling to CNC aluminum to polycarbonate production molds) represents a contemporary approach for translating artisanal design intent into repeatable commercial production. The technical developer team at Atom Studios, including Alexandre Soong and Hulk Giannelli, contributed expertise that helped ensure the sculptural vision survived translation to mass production.
The broader lesson for brands considering sculptural or detailed product design involves understanding that manufacturing is a creative partner, not simply a constraint. The possibilities available through contemporary tooling and moldmaking enable design ambitions that would have been impractical in earlier eras.
Multi-Sensory Brand Experience Architecture
The Dengo chocolate bar design demonstrates what might be called experience architecture: the deliberate structuring of how consumers encounter and interact with a product across multiple senses and moments. Brazil and Murgel Design Studio thought carefully about the sequence of experiences that unfold when someone engages with the chocolate.
The experience begins before any chocolate is visible. The wrapping conceals the sculptural surface, creating conditions for surprise. When the consumer opens the package, the unexpected shape presents itself as a discovery rather than a confirmation of expectations. The surprise element creates emotional engagement and memorability that conventional chocolate forms cannot match.
Vision engages next, with the eye registering the complex surface topography and the quality signals embedded in the glossy finish. The forms communicate origin without requiring text or explanation. The light play across seeds and leaves suggests organic processes and natural environments. The overall impression is of something crafted rather than merely manufactured.
Touch follows as the consumer handles the chocolate. The sculptural surface provides tactile interest, with raised and recessed areas creating a landscape for the fingertips. The varying thicknesses across the bar (an intentional design decision) contribute to what happens next.
Sound enters the experience when the chocolate is broken. The dynamic thickness engineered into the design produces a distinctive snap, the audible indicator of well-tempered chocolate. The crisp break signals to the consumer that the chocolate has been properly produced and handled. The sound reinforces quality perception at the moment of consumption.
Finally, taste completes the sequence. The varying thicknesses create different experiences as different portions melt on the tongue, enhancing perception of flavor complexity and extending the tasting experience.
The comprehensive approach to experience design demonstrates how brands can engage consumers across multiple touchpoints through thoughtful product form. To Explore Dengo's Golden A' Award-Winning Sculptural Chocolate Design is to encounter a case study in multi-sensory brand communication.
Strategic Integration of Design and Brand Values
The Dengo project succeeds because the sculptural chocolate design directly embodies and advances the brand's core values and positioning. The alignment between design form and brand meaning creates coherence that strengthens the overall brand proposition.
Dengo Chocolates positions itself around several key values: connection to Brazilian heritage, support for cocoa farmer welfare, environmental stewardship through forest-positive agriculture, and premium quality. Each of the Dengo values finds expression in the chocolate design.
Brazilian heritage appears in the Atlantic Forest imagery, the modernist artistic influences, and the celebration of a distinctly Brazilian word. Dengo carries meanings of tenderness, care, and affection in Portuguese. The sculptural surface makes visible the Brazilian landscape from which the cacao originates, turning abstract heritage claims into concrete visual evidence.
Support for cocoa farmers and the short production chain that Dengo champions receives reinforcement through design that celebrates the cabruca environment. By honoring the specific ecosystem where farmers cultivate cacao, the design acknowledges and elevates the agricultural practices that make the product possible.
Environmental values embedded in the Atlantic Forest reference align with Dengo's commitment to forest-positive chocolate production. The cabruca system, which cultivates cacao under existing forest canopy rather than clearing land, represents a model for agriculture that preserves biodiversity. The chocolate design makes the environmental story visible and tangible.
Premium quality positioning receives support from the sophisticated design execution, the glossy finish that signals proper tempering, and the overall impression of intentionality and craft. The chocolate looks like a premium product because every element has been considered and designed with purpose.
For enterprises seeking to strengthen brand positioning through product design, the alignment principle offers guidance. Design choices should emerge from and reinforce brand values. When form and meaning work together, the resulting product communicates more powerfully than either element could achieve independently.
Edible Art as Category Innovation
The Dengo chocolate bar represents a broader movement in food design toward products that function simultaneously as consumables and as aesthetic objects. The dual nature of edible art (consumable yet worthy of contemplation) creates new possibilities for brand differentiation and consumer engagement.
The project completed by Brazil and Murgel Design Studio between May and October 2018 in São Paulo demonstrates how seriously the Dengo team approached the chocolate bar as a design challenge. The six-month timeline, the involvement of technical developers alongside creative directors, and the careful research process all indicate investment beyond typical confectionery development.
The team assembled for the Dengo project brought diverse expertise: Fabio Brazil and Henrique Murgel as creative directors and designers, technical development from Atom Studios, and close collaboration with Dengo leadership including CEO Estevan Sartoreli and Head of Operations Gustavo Raguzzani, along with chocolatiere Luciana Lobo who helped ensure the design would perform as intended in chocolate production.
The cross-functional collaboration reflects the complexity of food design that aims for sculptural expression. The creative vision must negotiate with manufacturing realities, ingredient behavior, food safety requirements, and consumer expectations. Success requires expertise that spans artistic, technical, and culinary domains.
The recognition received through the Golden A' Design Award in Food, Beverage and Culinary Arts Design validates the innovative approach and signals to the broader design community that food products merit serious design attention. The recognition contributes to elevating standards across the food and beverage category, encouraging other brands to invest in meaningful product design.
Closing Reflections on Design as Brand Asset
The Dengo project illustrates how product design can transcend the traditional role of aesthetic enhancement and become a strategic brand asset that communicates values, creates memorable experiences, and differentiates offerings in competitive markets.
The sculptural chocolate surface designed by Brazil and Murgel Design Studio functions as a three-dimensional brand story. Every curve, every texture, every play of light across the glossy surface reinforces messages about origin, quality, heritage, and care. The messages reach consumers through sensory experience rather than verbal claims, creating engagement that feels discovered rather than delivered.
For brands across categories, the Dengo project offers inspiration and practical insight. The principles demonstrated in the project (authentic inspiration sources, cultural anchoring, sophisticated treatment of materials and light, comprehensive experience architecture, and alignment between design and brand values) transfer to any context where physical products carry brand meaning.
The future of brand building increasingly involves design thinking of this kind, where products become ambassadors for brand stories and every consumer interaction reinforces positioning. In a world saturated with messaging, designed experiences cut through in ways that advertising alone cannot achieve.
What might your brand communicate if your products could tell their own stories through form, texture, and light?